Mamiya Film Camera Buying Guide: 645, RB67, RZ67, C-Series and 6/7

Mamiya made some of the most respected medium format film cameras ever produced. From the compact and relatively affordable Mamiya 645 system to the studio-ready RB67 and RZ67, the twin-lens C-Series, and the legendary Mamiya 6 and Mamiya 7 rangefinders, the brand offers a route into medium format for almost every type of photographer.

This Mamiya film camera buying guide is designed to help you decide which Mamiya camera to buy based on how you shoot, what format you prefer, how portable you need the camera to be, and what kind of budget makes sense. If you already know you want to browse available bodies and kits, you can view our dedicated Mamiya cameras collection. If you are still weighing up the options, the comparisons below will help you choose the best Mamiya film camera for your needs.

Why buy a Mamiya film camera?

Mamiya’s reputation comes from a very practical blend of image quality, system depth and professional reliability. The company produced cameras for portrait studios, wedding photographers, commercial shooters, landscape photographers and serious enthusiasts, so many of its systems were designed to be worked hard and adapted to different situations.

The main reasons photographers still choose Mamiya film cameras include:

• Excellent medium format image quality, with larger negatives than 35mm film.
• Strong lens ranges, especially for the 645, RB67, RZ67 and Mamiya 7 systems.
• Modular designs on many models, allowing interchangeable lenses, finders, film backs and grips.
• Good value compared with many Hasselblad, Rolleiflex and premium rangefinder alternatives.
• A choice of formats, including 6x4.5, 6x6, 6x7 and interchangeable 6x7 portrait/landscape systems.
• Strong support from the used market, with many accessories and lenses still available.

The best Mamiya camera is not simply the most expensive one. A Mamiya 7 may be ideal for a travel landscape photographer, but a poor fit for someone wanting close-up studio portraits. A Mamiya RB67 may be outstanding for controlled portrait work, but too heavy for a long day walking around a city. The right choice depends on how you intend to use it.

Quick comparison: which Mamiya camera should you buy?

Mamiya 645: the best all-round Mamiya for many buyers

The Mamiya 645 system is often the best starting point for photographers moving from 35mm film into medium format. It uses 120 roll film to produce 6x4.5cm negatives, giving 15 or 16 frames per roll depending on the model. That makes it more economical than 6x6 or 6x7 cameras, while still offering a clear step up in negative size and tonal depth compared with 35mm.

The 645 line is broad, so it helps to split it into earlier manual-focused bodies and later modular/professional models.

Popular Mamiya 645 models

• Mamiya M645: Early, robust, relatively affordable body with a classic medium format feel.
• Mamiya M645 1000S: A popular upgrade with a top shutter speed of 1/1000 sec.
• Mamiya 645 Super: More modular, with interchangeable backs and improved handling.
• Mamiya 645 Pro: A refined professional body with good accessory support.
• Mamiya 645 Pro TL: Adds TTL flash metering and is one of the most desirable manual-focus 645 bodies.
• Mamiya 645 AF / AFD models: Autofocus versions, often used by photographers wanting a bridge between film and more modern handling.

Why choose a Mamiya 645?

The Mamiya 645 is a strong choice if you want medium format quality without committing to a very large camera. It is easier to carry than an RB67 or RZ67, has a practical number of shots per roll, and offers a wide lens range at prices that are often more accessible than Mamiya 7 lenses.

For portraits, the 80mm f/2.8 is the classic standard lens and a sensible first lens. The 110mm f/2.8 and 150mm lenses are also popular portrait options. Wide-angle choices such as the 45mm and 55mm are useful for environmental portraits, street work and landscapes.

Handling and shooting style

A Mamiya 645 can be configured in several ways. With a waist-level finder it feels traditional, compact and deliberate. With a prism finder and grip, it becomes more like an oversized 35mm SLR. This flexibility is one of the system’s biggest advantages.

If you plan to shoot handheld portraits, weddings or fashion, the 645 system is far more manageable than the RB67. If you want a medium format camera that can travel, but you still prefer through-the-lens viewing and interchangeable lenses, the Mamiya 645 is one of the safest recommendations.

Who should buy a Mamiya 645?

• Photographers buying their first medium format camera.
• Portrait shooters who want strong subject separation without excessive bulk.
• Wedding and fashion photographers who want more frames per roll.
• Anyone looking for a good balance between price, quality and usability.

Typical value band

Early M645 and M645 1000S kits are often among the most affordable serious Mamiya options. Later 645 Super, Pro and Pro TL bodies usually cost more, especially when supplied with a waist-level finder, prism, grip, film back and lens. Autofocus 645 bodies can vary widely in price depending on condition and lens compatibility.

As a general guide, Mamiya 645 is usually the best value route into the brand if you want interchangeable lenses and a professional system without paying Mamiya 7 prices.

Mamiya RB67: the mechanical 6x7 studio classic

The Mamiya RB67 is one of the most iconic professional medium format cameras ever made. The name RB stands for “rotating back”, a defining feature that allows you to switch between portrait and landscape orientation without turning the whole camera on its side. For studio portraits, product photography and tripod-based work, that is a huge practical advantage.

The RB67 produces 6x7cm negatives, often described as the “ideal format” because the proportions enlarge neatly to common print sizes. Compared with 6x4.5, the negative is significantly larger. Compared with 6x6, it gives a more rectangular frame without needing as much cropping.

Popular Mamiya RB67 models

• Mamiya RB67 Professional: The original version, fully mechanical and now usually the most affordable.
• Mamiya RB67 Pro-S: Improved safety interlocks and handling refinements; a very popular choice.
• Mamiya RB67 Pro-SD: Later model with improvements including compatibility with newer lenses and backs.

Why choose an RB67?

The RB67 is perfect if you want big, detailed 6x7 negatives and do not mind a slower, more deliberate workflow. It is a camera that rewards careful composition. The bellows focusing system allows close focusing without extension tubes in many situations, making it excellent for headshots, tabletop photography and detail work.

Another advantage is that the RB67 is largely mechanical. There are no batteries required for basic operation. That does not make every old RB67 automatically trouble-free, but it does make the system appealing to buyers who prefer repairable, mechanical cameras over electronically dependent bodies.

Handling and shooting style

The RB67 is large. With a lens and film back fitted, it is closer to a portable studio camera than a casual walk-around camera. Some photographers do use it handheld, particularly with a prism or grip, but most buyers should think of it as a tripod, studio or slow portrait camera.

The camera’s weight can be an advantage in the studio because it feels stable and controlled. The waist-level finder is bright and engaging, and the rotating back makes vertical portraits very natural. For photographers who enjoy process and precision, the RB67 is deeply satisfying.

Who should buy a Mamiya RB67?

• Studio portrait photographers wanting large negatives.
• Photographers who prefer mechanical cameras.
• Still life, product and close-up shooters.
• Buyers wanting 6x7 quality at better value than an RZ67 or Mamiya 7.

Typical value band

The RB67 is often one of the best price-to-negative-size options in medium format. Bodies and lenses can still represent strong value, especially compared with the RZ67 and Mamiya 7. However, condition is crucial. A cheap RB67 with light leaks, spacing problems or a tired lens shutter can cost more in the long run than a better serviced example.

Mamiya RZ67: the refined professional 6x7 system

The Mamiya RZ67 developed the RB67 concept into a more modern electronic camera system. It kept the rotating back and 6x7 format, but introduced electronic shutter control, improved ergonomics, updated lenses and a more refined professional workflow. For many portrait and fashion photographers, the RZ67 is one of the finest studio film cameras ever made.

Popular Mamiya RZ67 models

• Mamiya RZ67 Professional: The original RZ body, widely used in studios.
• Mamiya RZ67 Pro II: Improved focusing and refinements; highly desirable.
• Mamiya RZ67 Pro IID: Later model with digital back communication features, usually the most expensive.

Why choose an RZ67?

The RZ67 is ideal if you want the 6x7 look with a smoother, more modern shooting experience than the RB67. The lenses are excellent, the system is highly modular, and the camera is extremely capable for professional portrait, fashion and editorial work.

The RZ67’s electronic shutter system allows precise shutter speeds and a more integrated shooting experience. Many photographers prefer its feel over the RB67, especially when working with assistants, studio lighting or repeatable setups.

Handling and shooting style

Although the RZ67 is more refined than the RB67, it is still a substantial camera. It is not the obvious choice for travel or spontaneous documentary photography. It shines when used deliberately: portraits, fashion, controlled environmental portraits, studio lighting, still life and fine art projects.

It is also worth noting that the RZ67 relies on electronics. That means batteries and electronic condition matter. A well-kept RZ67 is a superb tool, but buyers should be more cautious about untested bodies than they might be with a fully mechanical RB67.

Who should buy a Mamiya RZ67?

• Portrait and fashion photographers wanting a professional 6x7 system.
• Studio shooters who value the rotating back and modular accessories.
• Photographers who want a more refined alternative to the RB67.
• Buyers comfortable paying more for handling, lens quality and system polish.

Typical value band

The RZ67 normally sits above the RB67 in price. Pro II and Pro IID bodies can command a significant premium, especially with sought-after lenses such as the 110mm f/2.8. The system is still good value when compared with some premium 6x7 alternatives, but it is not usually the cheapest way into medium format.

Mamiya C-Series: C220 and C330 twin-lens reflex cameras

The Mamiya C-Series is unusual because it is a twin-lens reflex system with interchangeable lenses. Most TLR cameras, such as many Rolleiflex and Yashica models, have fixed lenses. Mamiya’s C-Series allows you to change lens pairs, giving much more flexibility while keeping the classic waist-level, square-format shooting experience.

The two most commonly recommended models are the Mamiya C220 and Mamiya C330. Both shoot 6x6cm negatives on 120 film. The C330 is generally more feature-rich, while the C220 is simpler and often lighter.

Mamiya C220 vs C330

Why choose a Mamiya C-Series camera?

The C-Series is a wonderful choice if you like square images, waist-level composition and mechanical simplicity, but still want lens flexibility. The cameras have bellows focusing, which makes them unusually good for close-up work compared with many TLRs.

Common lens choices include the 80mm standard lens, wider options such as the 55mm or 65mm, and portrait-friendly longer lenses such as the 105mm, 135mm and 180mm. Because the viewing and taking lenses are separate, parallax becomes important at close distances, but Mamiya built in correction aids to help.

Handling and shooting style

A C220 or C330 is slower and quieter than a medium format SLR. You look down into the finder, compose on a reversed image, focus carefully and fire with very little vibration. It is a highly engaging way to work. For portraits, the waist-level viewpoint can help people relax because the camera is not pressed directly to the photographer’s face.

The C-Series is also more portable than an RB67 or RZ67, though it is still larger than many fixed-lens TLRs. If you want a medium format camera with character, strong value and a distinctive shooting experience, the C220 and C330 are very appealing.

Who should buy a Mamiya C220 or C330?

• Photographers who enjoy square-format composition.
• Buyers wanting an interchangeable-lens TLR.
• Portrait, documentary and creative film photographers.
• Anyone looking for a mechanical medium format camera with charm and value.

Typical value band

Mamiya C-Series cameras can be excellent value, particularly compared with premium fixed-lens TLRs. Prices depend heavily on lens condition, focusing smoothness, bellows condition and whether the waist-level finder is clean and intact. The C220 is often the value pick, while the C330 is the more desirable all-rounder.

Mamiya 6: compact 6x6 rangefinder quality

The modern Mamiya 6 is a premium medium format rangefinder that shoots 6x6cm negatives. Its most distinctive feature is its collapsible lens mount, which allows the camera to become impressively compact when not in use. For travel, landscape and quiet documentary photography, it is one of the most elegant medium format cameras available.

The Mamiya 6 lens range is small but excellent. The common lenses are the 50mm wide-angle, 75mm standard and 150mm telephoto. This limited selection suits photographers who prefer a simple kit rather than a large system.

Why choose a Mamiya 6?

Choose the Mamiya 6 if you want a portable medium format camera with superb image quality and square-format simplicity. It is much easier to carry than an RB67 or RZ67, quieter than most SLR systems, and exceptionally well suited to travel.

The rangefinder focusing system means there is no mirror slap, and the camera can be used at slower shutter speeds than many SLRs if your technique is steady. The lenses are sharp, contrasty and highly regarded.

Handling and shooting style

The Mamiya 6 is not a close-up camera and it is not a studio portrait system in the same way as an RB67 or RZ67. It is best used for scenes, places, environmental portraits and thoughtful documentary work. The square frame encourages balanced compositions and removes the need to choose portrait or landscape orientation.

Who should buy a Mamiya 6?

• Travel photographers wanting medium format quality in a compact kit.
• Landscape photographers who enjoy square compositions.
• Documentary photographers who value quiet, unobtrusive handling.
• Buyers who prefer a small, high-quality lens set over a large modular system.

Typical value band

The Mamiya 6 is a premium camera and usually priced accordingly. It is generally less costly than a Mamiya 7 kit, but far more expensive than most 645, C-Series or RB67 options. Condition and rangefinder accuracy are especially important.

Mamiya 7 and 7II: the premium 6x7 travel and landscape choice

The Mamiya 7 is one of the most celebrated film cameras of all time. It combines a 6x7cm negative with a relatively lightweight rangefinder body and extraordinary lenses. For landscape, travel, documentary and fine art photographers, it is often considered one of the best Mamiya film cameras ever made.

The Mamiya 7II is a later version with handling refinements and small design updates. Both versions are highly desirable. The main appeal is the same: large 6x7 negatives from a camera that can realistically be carried in the field.

Why choose a Mamiya 7?

If you want maximum image quality in a portable medium format camera, the Mamiya 7 is difficult to beat. The lenses are legendary, particularly the 43mm, 50mm, 65mm and 80mm options. They are sharp, compact for their coverage, and designed specifically for rangefinder use.

The camera is much lighter and more convenient than an RB67 or RZ67, yet it still produces the same 6x7 negative size. For photographers who walk long distances, travel abroad or shoot landscapes in changing light, that difference is significant.

Handling and shooting style

The Mamiya 7 is not an SLR, so you do not view through the taking lens. That makes it less suitable for close-up portraits, macro work or precise depth-of-field preview. It is also not the most natural choice for long telephoto work. Its strengths are wider and normal lenses, careful framing, quiet shooting and exceptional negatives.

Who should buy a Mamiya 7 or 7II?

• Landscape photographers wanting top-tier 6x7 image quality.
• Travel photographers who need portability.
• Fine art and documentary photographers who prefer rangefinder handling.
• Buyers who are ready to invest in a premium medium format system.

Typical value band

The Mamiya 7 and 7II sit at the top of the Mamiya film camera market. Bodies and lenses are expensive, and clean examples tend to remain in demand. If your priority is value, an RB67 or Mamiya 645 may make more sense. If your priority is portable 6x7 quality, the Mamiya 7 is one of the finest options available.

Recommended Mamiya picks by budget

Prices for used film cameras change depending on condition, availability, accessories and recent demand. The guide below is intended as a practical way to think about value tiers rather than a fixed price list.

Best entry-level Mamiya choice

For many buyers, the Mamiya C220 or an early Mamiya M645 offers the best entry point. The C220 gives you 6x6 negatives and a distinctive TLR experience, while the M645 gives you a more familiar interchangeable-lens SLR system with more frames per roll.

Choose the C220 if you want square-format creativity and mechanical charm. Choose the M645 if you want a more versatile everyday medium format system.

Best value Mamiya camera

The Mamiya RB67 Pro-S is one of the best value picks in the entire Mamiya range. It delivers large 6x7 negatives, professional handling, interchangeable backs and lenses, and a mostly mechanical design. It is not light, but if you are happy working slowly, it offers tremendous image quality for the money.

Best Mamiya for portraits

For portraits, the RB67, RZ67 and Mamiya 645 all make sense. The RB67 is excellent for studio portraits and close focusing. The RZ67 is the more refined professional option, especially with the 110mm f/2.8. The Mamiya 645 is the more practical choice for handheld portraits, location work and longer shoots.

If you shoot mostly in a studio, consider the RB67 or RZ67. If you shoot people on location, the Mamiya 645 may be easier to live with.

Best Mamiya for travel

The Mamiya 6 and Mamiya 7 are the standout travel choices. The Mamiya 6 is compact, square-format and beautifully simple. The Mamiya 7 gives you a larger 6x7 negative and one of the finest lens systems in medium format, but at a much higher price.

For a more affordable travel-friendly option, a Mamiya 645 with a waist-level finder and standard lens can still be manageable, though it will not be as compact as a rangefinder.

Best premium Mamiya camera

The Mamiya 7II is the premium pick for photographers who want the best blend of portability and image quality. It is expensive, but the results can be exceptional. For studio users, a clean RZ67 Pro II with a strong lens kit is the premium professional alternative.

Understanding Mamiya film formats

One of the most important buying decisions is film format. Mamiya produced cameras in several medium format sizes, and each one affects image quality, camera size, number of frames per roll and shooting rhythm.

If you are coming from 35mm, the 645 format already feels like a major upgrade. If you want the biggest practical negative and do not mind fewer shots per roll, 6x7 is extremely rewarding. If you enjoy square composition, 6x6 offers a completely different way of seeing.

You can browse more options in our medium format cameras collection, or compare Mamiya with other classic systems in our wider film cameras collection.

Mamiya lenses: what to know before buying

Mamiya lenses are a major reason to buy into the system. Each camera family uses its own lens mount, so lenses are not generally interchangeable across 645, RB67, RZ67, C-Series, Mamiya 6 and Mamiya 7 systems. When choosing a body, consider the lens system you are buying into as much as the camera itself.

Good first lenses by system

• Mamiya 645: 80mm f/2.8 as a standard lens; 45mm or 55mm for wider work; 150mm for portraits.
• Mamiya RB67: 90mm standard, 127mm normal/portrait, 180mm portrait, 65mm wide-angle.
• Mamiya RZ67: 110mm f/2.8 for portraits, 90mm standard, 65mm wide-angle, 180mm for tighter portraits.
• Mamiya C-Series: 80mm standard, 55mm or 65mm wide, 105mm or 135mm portrait options.
• Mamiya 6: 75mm standard, 50mm wide, 150mm short telephoto.
• Mamiya 7: 80mm standard, 65mm versatile wide-normal, 50mm landscape wide, 43mm ultra-wide.

For many buyers, a standard lens is the best first choice. It keeps the kit simple, avoids overspending before you know your preferences, and gives you a natural perspective for learning the camera.

If you are building a system, it is worth checking our camera lenses collection for available Mamiya-compatible lenses and other vintage optics.

Condition, repairability and what to check

Buying any vintage film camera requires attention to condition. Mamiya cameras were professional tools, and many examples have seen heavy use. A cosmetically worn camera can still be excellent if it has been cared for, while a clean-looking example may still have mechanical or electronic issues.

General checks for any Mamiya film camera

• Shutter accuracy: Speeds should fire consistently, especially slow speeds.
• Film advance: Advance should feel smooth, with no slipping, jamming or frame spacing problems.
• Light seals: Old foam can degrade and cause light leaks.
• Lens condition: Check for fungus, haze, separation, scratches and oil on aperture blades.
• Viewfinder condition: Dust is normal, but heavy desilvering, dim screens or damaged prisms affect usability.
• Film backs: On RB67, RZ67 and modular 645 bodies, backs are a common source of spacing and light leak issues.
• Battery compartments: Look for corrosion on electronic models.
• Rangefinder accuracy: Essential on Mamiya 6 and Mamiya 7 bodies.
• Bellows condition: Important on RB67, RZ67 and C-Series cameras.

Repairability by system

The RB67 and C-Series are appealing because of their mechanical nature. They can still require specialist repair, but their operation is generally less dependent on electronics. The RZ67 and later 645 bodies are more electronically sophisticated, so buying tested equipment is particularly important.

Mamiya 6 and Mamiya 7 cameras are premium and relatively complex rangefinders. Rangefinder alignment, electronic operation and lens coupling should be checked carefully. Because these cameras are expensive, condition should matter more than chasing the lowest price.

Essential accessories for Mamiya film cameras

Accessories can make a major difference to how a Mamiya camera handles. When comparing kits, do not look at the body alone. A complete kit with the right finder, back, grip and lens may be better value than a cheaper body that needs several parts adding later.

Useful accessories to consider

• Extra film backs for RB67, RZ67 and modular 645 bodies, useful for switching film stocks mid-shoot.
• Waist-level finders for a classic medium format experience.
• Prism finders for eye-level shooting, portraits and faster framing.
• Hand grips or motor winders for improved handheld ergonomics.
• Lens hoods to reduce flare and protect front elements.
• Close-up accessories or extension tubes for studio and macro-style work.
• Reliable light meter if using a non-metered finder.
• Tripod and cable release for RB67, RZ67 and landscape work.

You can also explore useful extras in our camera accessories collection, and pair your camera with fresh stock from our camera film collection.

Mamiya buying recommendations by photographer type

For beginners to medium format

Start with the Mamiya 645 if you want the easiest all-round route into medium format. It gives you a large improvement over 35mm while remaining practical, relatively economical and widely supported. A standard 80mm lens is enough to begin with.

For portrait photographers

Choose the RB67 if you want maximum value and a mechanical 6x7 studio camera. Choose the RZ67 if you want a more polished professional portrait system and are comfortable with the higher price. Choose the Mamiya 645 if you shoot handheld or on location.

For landscape photographers

The Mamiya 7 is the dream choice for many landscape photographers thanks to its 6x7 negative and exceptional lenses. The Mamiya 6 is a superb alternative if you prefer square composition. If you usually work from a tripod and want better value, the RB67 is also capable of outstanding landscape results, though it is much heavier.

For travel photographers

The Mamiya 6 is one of the best travel-friendly medium format cameras ever made. The Mamiya 7 offers a larger 6x7 frame but is more expensive. A Mamiya 645 kit can work for travel if you are happy carrying a little more weight.

For studio photographers

The RB67 and RZ67 are the natural studio choices. Their rotating backs, large negatives, interchangeable lenses and close-focusing abilities make them extremely practical. The RZ67 is more refined, while the RB67 is often better value and more mechanical.

For square-format photographers

Choose the Mamiya C220 or C330 if you want a traditional waist-level TLR experience with interchangeable lenses. Choose the Mamiya 6 if you want a premium, compact rangefinder approach to square-format photography.

Common mistakes when buying a Mamiya film camera

• Buying the largest negative without considering weight. An RB67 is wonderful, but not everyone wants to carry one all day.
• Ignoring the cost of lenses and accessories. The camera body is only part of the system.
• Choosing an untested electronic body purely because it is cheap.
• Forgetting about film backs. A faulty back can cause spacing issues or light leaks.
• Assuming all Mamiya lenses fit all Mamiya bodies. Each system has its own mount.
• Overlooking the Mamiya 645. It may not have the largest negative, but it is often the most usable choice.
• Buying a Mamiya 7 for close-up portraits. It is exceptional, but not designed for everything.

Final verdict: what is the best Mamiya film camera?

The best Mamiya film camera depends on your priorities. For most people, the Mamiya 645 is the best all-round choice because it is practical, versatile and comparatively good value. For the biggest negatives at sensible prices, the RB67 is hard to beat. For professional studio portrait work, the RZ67 is a refined classic. For square-format creativity on a more modest budget, the C220 and C330 remain excellent. For premium travel and landscape work, the Mamiya 6 and Mamiya 7 are among the finest medium format cameras ever made.

If you are still unsure which Mamiya camera to buy, start by answering three questions: do you want portability or maximum negative size, do you prefer SLR or rangefinder handling, and will you mostly shoot handheld or from a tripod? Once you know those answers, the right Mamiya system usually becomes clear.

To see current availability, browse our Mamiya film cameras, or explore our wider range of medium format film cameras.

Frequently asked questions

Which Mamiya camera is best for beginners?

The Mamiya 645 is usually the best beginner-friendly Mamiya medium format camera. It is more manageable than the RB67 or RZ67, gives more frames per roll, has a strong lens range and still produces a clear medium format look.

Is the Mamiya RB67 too heavy?

The RB67 is heavy compared with most film cameras. It can be used handheld, but it is best suited to studio, tripod and slower shooting. If you want to walk all day with a camera, consider a Mamiya 645, Mamiya 6 or Mamiya 7 instead.

Is the Mamiya RZ67 better than the RB67?

The RZ67 is more modern and refined, with electronic control and an excellent professional lens system. The RB67 is more mechanical and often better value. Neither is simply better for everyone; the RZ67 suits photographers wanting a polished professional workflow, while the RB67 suits those who value mechanical reliability and price-to-performance.

Should I buy a Mamiya 6 or Mamiya 7?

Buy the Mamiya 6 if you prefer square 6x6 images, a compact collapsible design and a simpler three-lens system. Buy the Mamiya 7 if you want 6x7 negatives, outstanding lenses and one of the best portable landscape cameras available.

Are Mamiya film cameras still repairable?

Many Mamiya cameras can still be serviced by specialist technicians, especially mechanical systems such as the RB67 and C-Series. Electronic models such as the RZ67, later 645 bodies, Mamiya 6 and Mamiya 7 should be bought with more care, as parts and specialist repair can be more limited.

What film does a Mamiya camera use?

Most Mamiya medium format cameras use 120 roll film. Some systems may also support 220 film backs, though 220 film is now far less common. The number of frames per roll depends on the format: roughly 15 or 16 for 645, 12 for 6x6, and 10 for 6x7.

What is the best value Mamiya film camera?

The Mamiya RB67 Pro-S is often the best value if you want large 6x7 negatives. The Mamiya 645 is usually the best value if you want a more portable and flexible everyday medium format system. The C220 is also excellent value for square-format photographers.